Journey to becoming a green potter

Journey to becoming a green potter

 While studio pottery is expensive, it’s a good alternative to mass produced household items. Our aim should be to produce something that serves us for long and has a less impact on the environment. Here are a few things that I’ve been trying to do:


  1. Reclaiming all your clay: Reuse all your trimmings, slips and broken pieces from green ware. Wedge well till it reaches a workable consistency. 
  2. Producing big batches on order: While we like to continuously experiment on different types of pieces and glazes, be sure that everything adds a cost to the environment. The joy of studio pottery was always patience and not bulk production. 
  3. Ensuring we fire what’s really worthy: we should ultimately put pieces that won’t crack or burst in the kiln. Maintaining quality from production to glazing. 
  4. Collecting and reusing plastic or even paper of all packaging materials from family and friends: While I understand that packaging makes a lot of difference to the pieces, maybe write to your buyers why you’re packing the way you are and give them some credit to reuse it too! 
  5. Avoid using lead, chromium oxide, nickel oxide and barium carbonate in your glazes. If you buy your glazes, make sure to ask your supplier if they’re ethically sourced. 
  6. Avoid breathing in the dust or firing fumes. 
  7. Ensuring the kiln is at full capacity. Use more shelves and pillars. Place the pieces adequately. 
  8. Trying to produce pieces which speak of nature and environment. 
  9. Having a vegetarian meal.
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